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#Cabin fever 2 skin#
(In the first film, the virus affected the skin first, and the vomiting began a day or so later.
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Even more bizarre is that, even though the sequel takes place immediately after the events of the first movie, the flesh-eating disease has inexplicably changed. Of course, the most annoying character of the first film, Deputy Winston (Giuseppe Andrews), periodically appears several times but doesn’t even have a purpose. While two returning characters actually do appear in the sequel, fans of Rider Strong (who receives top billing) will be disappointed in his mere pre-opening credits cameo. In fact, it’s a blessing in disguise that the producers don’t even acknowledge that this sequel is based upon characters created by Roth and Pearlstein. As a result, this sequel doesn’t even belong to the same species as its predecessor. If you liked Cabin Fever, then you’ll hate the sequel.Īfter being shelved for a number of years, Cabin Fever 2: Spring Fever shows us what happens when 16 producers turn on director-for-hire Ti West and hack his cut into an indecipherable final version. Most importantly (thanks in part to the most unsettling shaving scene in cinematic history), it delivered on thrills and exploitation.
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However, for all the disturbing undercurrents of the story, Cabin Fever successfully balanced horror and comedy it was a B-movie with glossier technical credits, a soundtrack featuring composer Angelo Badalamenti, effective cinematography, and relatively restrained gore (Jordan Ladd’s progressive decline was kept in shadow until a big reveal was necessary). When one of them tries to find help from the local townspeople, the unexpected reaction is that these kids must have done something to deserve this infection, and, therefore, these outsiders must be destroyed before they infect the proper folk. The characters turn on each other in a very Lord of the Flies spectacle in terms of the civil war that erupts between so-called good friends. When a bloodied, semi-lunatic man appears and aggressively demands help, the kids (mostly in a panicked form of self defense) kill him but one or more of them gets infected, and the resulting paranoia causes the group to self-destruct.
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The script, by Roth and co-writer Randy Pearlman, introduced the dynamic between five spoiled and self-indulgent suburban college grads who treat nature as a vacation destination of most quaint proportions (“It’s so cute… this little room… this little bed.”), before slowly increasing the tension during a camp-fire scene. As a rather nihilistic yet amusing homage to movies like Evil Dead, Texas Chainsaw Massacre, and Night of the Living Dead, Cabin Fever also carried its own profoundly scary social implications.
#Cabin fever 2 movie#
However, if you can look past that ridiculous “torture porn” label and check out Cabin Fever - Roth’s love letter to 1980s horror movies that he grew up watching - you just might realize why the movie was the toast of the 2002 Toronto Film Festival and grossed over $30 million on a $1.5 million budget (not to mention DVD sales and a recent Blu-Ray release). Now, I realize that refusing to toss Eli Roth into the wood chipper is a stance that goes against the grain of this site.